<\/p>\n
Please visit Mr. Osada Steve’s web site to read the original version of this article at<\/span><\/p>\n TokyoBound<\/a> in this link.\u00a0Enjoy!<\/a><\/strong><\/span><\/p>\n Consider also the following examples, where the reading of\u00a0\u7e04\u00a0is \u2018nawa<\/em>\u2018:\u00a0\u8cac\u3081\u7e04(\u2018semenawa<\/em>\u2018) \u2013 bondage geared towards torture;\u00a0\u9996\u65ac\u7e04\u00a0(\u2018kubikirinawa<\/em>\u2018) \u2013 bondage appropriate to beheadings;\u00a0\u706b\u7119\u7e04\u00a0(\u2018hiaburinawa<\/em>\u2018) \u2013 bondage suitable for burnings at the stake;\u00a0\u65e9\u7e04\u00a0(\u2018hayanawa<\/em>\u2018) \u2013 the actual (relatively short) rope employed for initial arrests and swift take-downs;\u00a0\u672c\u7e04\u00a0(\u2018honnawa<\/em>\u2018) \u2013 the actual (relatively long) rope used for more complicated bondage once a person has been arrested.<\/span><\/p>\n Returning to the fact that today\u2019s contemporary Japanese tying methods are based around ancient Samurai martial arts (\u2018kobudo<\/em>\u2018,\u00a0\u53e4\u6b66\u9053), by extension it follows thatshibari\/kinbaku<\/em> are similarly guided by the same principles governing all other Japanese martial arts. Further, a profound understanding of these would often have meant the difference between life and death. In this way, it is not too far-fetched to imagine that both a solid foundation in tying skills and the observance of a few time-worn principles would be the difference between a so-so bondage session and an out-of-this-world\u00a0kinbaku<\/em> session.<\/span><\/p>\n Now quickly fast-forward to\u00a0muga<\/em> (\u7121\u6211), and what it can bring to your tying experiences. Firstly, let\u2019s contemplate what the legendary grandmaster\u00a0Akechi Denki<\/a> (\u660e\u667a\u4f1d\u9b3c) explained to me two weeks before his death:\u00a0\u201cI empty my mind. The ideas then just come to me: from within or from the partner I\u2019m tying. Sometimes the ropes move of their own accord and my hands simply follow, and that is always such an amazing experience. I just disappear. The\u00a0shibari<\/em> is always so beautiful whenever that happens.\u201d <\/span><\/p>\n That elusive \u2018empty mind\u2019 also plays a fundamental role at the higher levels of Samurai swordsmanship, a principle expounded upon by Miyamoto Musashi in his Book Of Five Rings, wherein he elaborates in quite some depth upon the concept ofmuga<\/em> \u2013 with \u2018ring\u2019 number five denoting the void, the nothingness, the emptiness of the mind.<\/span><\/p>\n Which brings us neatly on to\u00a0muganawa<\/em> (\u7121\u6211\u7e04). As the active protagonist in the rope session, imagine shedding all of your thoughts, all of your desires. You do so because favorable feelings of love and empathy for your partner opposite you come to the fore now. You wish to give, not to receive. Your goal is not to satisfy your own cravings, your lust, but rather to reach a state of heightened awareness which allows you to discern and compute the subtle messages and signals emanating from that passive being now submitting before you.<\/span><\/p>\n If all goes to plan, you will be able to read your rope partner like an open book, developing a higher understanding of his\/her needs, indeed doing so more truly than \u2013 and perhaps even before \u2013 he himself\/she herself does at each particular moment, the now.<\/span><\/p>\n Remember, though, that, in order to correctly read your partner, you yourself must be in an objective, neutral state of mind, a state unbefuddled by false beliefs or assumptions.<\/span><\/p>\n In essence, a\u00a0muganawa<\/em> session is set apart by its emphasis upon the passive partner being allowed to reach his\/her true potential rather than the assertive protagonist simply imposing his\/her will.<\/span><\/p>\n Reaching\u00a0muga<\/em> is not achieved, though, by the mere reading of a book or pressing of a switch. Rather,\u00a0muga<\/em> is reached by attaining peace of mind through an approach to your rope session that is entirely non-egotistical.\u00a0Muganawa <\/em>isn\u2019t everything, admittedly, and it is not the only way to enjoy bondage. Yet, I do encourage you to occasionally give\u00a0muga<\/em> a shot.<\/span><\/p>\n Osada Steve (\u9577\u7530\u30b9\u30c6\u30a3\u30fc\u30d6<\/a>)<\/p>\n \u00a0<\/strong><\/span><\/p>\n <\/p>","protected":false},"excerpt":{"rendered":"Please visit Mr. Osada Steve’s web site to read the original version of this article at TokyoBound in this link.\u00a0Enjoy! Copyright 2007 por \n [...]<\/a>","protected":false},"author":2,"featured_media":332,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[78,11,9,17,27],"class_list":["post-43","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos","tag-cultura-japonesa","tag-muganawa","tag-osada-steve","tag-osada-ryu","tag-vocabulario"],"_links":{"self":[{"href":"https:\/\/www.kinbakumania.com\/en\/wp-json\/wp\/v2\/posts\/43","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kinbakumania.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kinbakumania.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kinbakumania.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kinbakumania.com\/en\/wp-json\/wp\/v2\/comments?post=43"}],"version-history":[{"count":5,"href":"https:\/\/www.kinbakumania.com\/en\/wp-json\/wp\/v2\/posts\/43\/revisions"}],"predecessor-version":[{"id":6426,"href":"https:\/\/www.kinbakumania.com\/en\/wp-json\/wp\/v2\/posts\/43\/revisions\/6426"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kinbakumania.com\/en\/wp-json\/wp\/v2\/media\/332"}],"wp:attachment":[{"href":"https:\/\/www.kinbakumania.com\/en\/wp-json\/wp\/v2\/media?parent=43"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kinbakumania.com\/en\/wp-json\/wp\/v2\/categories?post=43"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kinbakumania.com\/en\/wp-json\/wp\/v2\/tags?post=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Copyright 2007 por <\/span>Osada Steve<\/span><\/a><\/h2>\n
\n\u2018Muga<\/em>\u2018 (\u7121\u6211) is a concept steeped in the Buddhist tradition. It refers to the \u2018non-self\u2019, emptiness, or being devoid of desire. As such, it is not the first thing that springs to mind when considering\u00a0shibari\/kinbaku<\/em> (\u7e1b\u308a\/\u7dca\u7e1b). After all, isn\u2019t the essence of any rope session also an exercise in desire and passion?<\/span><\/p>\n
\nBefore taking a closer look at muga<\/em> and how it could be applied to\u00a0shibari\/kinbaku<\/em>, let\u2019s cast a glance backwards in time. The Chinese character\u00a0\u7e04\u00a0can be read both as \u2018nawa<\/em>\u2018 and as \u2018jo<\/em>\u2018; essentially, the kanji expresses the meaning: \u2018rope\u2019. However, depending on context, it could also mean a bondage style or pattern. As an example of all not being quite as simple as perhaps initially thought, take the characters for \u2018hojojutsu<\/em>\u2018 (\u6355\u7e04\u8853) \u2013 the ancient art of capturing with rope. The same three kanji can also be read as \u2018torinawajutsu<\/em>\u2018. This \u2018art\u2019, in its\u00a0hoshu hojojutsu<\/em> (\u6355\u624b\u6355\u7e04\u8853) form, has been inextricably linked with the 18 warrior skills of the Samurai (\u2018bugei juhappan<\/em>\u2018,\u00a0\u6b66\u82b8\u5341\u516b\u822c). As such, it provides for several hundred years of highly advanced rope-tying techniques and represents a solid foundation for modern-day\u00a0shibari\/kinbaku<\/em>.<\/span><\/p>\n